

It was his attempt to saddle these artists with a sobriquet insulting enough to make their works of deep emotional and intellectual vigor, appear instead superficial, frivolous and not a little trivial. When the French critic Louis Leroy visited the renegade exhibition of paintings by Monet, Renoir, Degas and Cezanne that the French Academy had rejected, he entitled his scathing and dismissive essay “The Exhibition of the Impressionists” (“Wallpaper in its embryonic state” he wrote “is more finished than that seascape”). Twitter Updates Tweets by theagencyreview Blogroll True Story: How to Combine Story and Action to Transform Your Business.The Time Traveler’s Guide to Elizabethan England.The Kandy-Kolored Tangerine Flake Streamline Baby.The Idea Factory: Bell Labs and the Great Age of American Innovation.The Great A&P and the Struggle for Small Business in America.Shine: How to Survive and Thrive at Work.Ralph Peer and the Making of Popular Roots Music.Poseur: A Memoir of Downtown New York City in the ‘90s.One Click: Jeff Bezos and the Rise of.Ogilvy on Advertising in the Digital Age.Mid-Century Ads: Advertising from the Mad Men Era.Marissa Mayer and the Fight to Save Yahoo!.Mad Men Unbuttoned: A Romp Through 1960s America.From Those Wonderful Folks Who Gave You Pearl Harbor.Four Seasons: The Story of a Business Philosophy.Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream.Dorothy and Otis: Designing the American Dream.Damn Good Advice (for People with Talent!).Cheap: The High Cost of Discount Culture.Changing the World is the Only Fit Work for a Grown Man.An Interview with Fritz Grobe & Stephen Voltz.Agency: Starting a Creative Firm in the Age of Digital Marketing.Admen, Mad Men and the Real World of Advertising.
